• DanIglesia

Hi, I'm a second year music composition grad.

some things I do:

• (realtime) electroacoustic composition, usually for acoustic instruments piped through computer.

• create solo systems for live audio or video performance (or for A&V, where one is a residual of the other)

• make fixed and/or generative pieces
• code stuff to do strange things to sound

http://music.columbia.edu/~daniglesia

feb 6th homework

a selection of "Giant Steps" made from "Lonely Woman" and "Koko" http://music.columbia.edu/~daniglesia/meapmash.mp3

feb 13th homework

• copland hoedown: micro forwards macro backwards

• chanson boheme from carmen - interlaced

• kraftwerks robots - interlaced

• comps anderson letx=x, diminishing chunk size, multiple voices

Feb 6th presentation

In addition to showing a few recent works, I will show some small non-real-time FFT analysis/resynthesis programs.

The first was done a couple years ago, at http://music.columbia.edu/~daniglesia/research/spectral interpolates between fft frames in order to morph one sound into another.

More recent program, at http://music.columbia.edu/~daniglesia/research/fftsplice , analyzes multiple files for points of spectral similarity, then splices between them.

Another program, (similar to last week's presentation, though it does not work in real time), is a program that resynthesizes a file out of variable-size chunks of other files.